![]() This provides an opportunity to examine a clip in more detail or even when applying a LUT via EditReady to see the scopes’ representation of the LUT’s effect. Using ScopeLink, clips ingested in EditReady, which we’ve previously reviewed, can simultaneously be viewed in ScopeBox. The program always accepted, and still does, any readable clip residing on the system. In earlier versions when it only accepted external input through a capture card, I used it on several shoots as on-set scopes, taking SDI output from the camera into a Thunderbolt Blackmagic device and displaying both a preview image as well as whichever of the scopes I needed. ScopeBox accepts input from a capture card or direct from application via ScopeLink. All of the scopes have various intensity and scale options. ![]() For example, the Vectorscope can be toggled to show flesh line and tangents, zoom scale, auto or manually-set colorspace and zoom. Furthermore, ScopeBox will reflect every pixel within the image which may not be the case within the built in NLE’s scopes.Įach of the various scopes has adjustments relevant to what the scope is measuring. ScopeBox also includes several scopes not generally available within NLE scopes including RGB histogram and channel plot. The overarching question here is why would anyone want to pay $99 for a scope application when your NLE already includes scopes? First of all, Divergent claims a high degree of accuracy with its scopes. ScopeBox’ most recent version incorporates a feature that Divergent calls ScopeLink, the ability to accept input from EditReady, Final Cut Pro X, Pomfort Silverstack, Adobe PremierePro, Adobe After Effects, Adobe Speedgrade and Adobe Prelude. ScopeBox from Divergent Media has matured over the years into not just a software scope solution but also a capturing tool.
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